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Book Overview - Esther

by William Nicoll

ESTHER

THE BOOK OF ESTHER: INTRODUCTORY

THERE is a striking contrast between the high estimation in which the Book of Esther is now cherished among the Jews and the slighting treatment that is often meted out to it in the Christian Church. According to the great Maimonides, though the Prophets and the Hagiographa will pass away when the Messiah comes, this one book will share with The Law in the honour of being retained. It is known as "The Roll" par excellence, and the Jews have a proverb, "The Prophets may fail, but not The Roll." The peculiar importance attached to the book may be explained by its use in the Feast of Purim-the festival which is supposed to commemorate the deliverance of the Jews from the murderous designs of Haman, and their triumph over their Gentile enemies-for it is then read through in the synagogue. On the other hand, the grave doubts which were once felt by some of the Jews have been retained and even strengthened in the Christian Church. Esther was omitted from the Canon by some of the Oriental Fathers. Luther, with the daring freedom he always manifested in pronouncing sentence on the books of the Bible, after referring to the Second Book of Maccabees, says, "I am so hostile to this book and that of Esther, that I wish they did not exist; they are too Judaising, and contain many heathenish improprieties." In our own day two classes of objections have been raised.

The first is historical. By many the Book of Esther is regarded as a fantastic romance, by some it is even relegated to the category of astronomical myths, and by others it is considered to be a mystical allegory. Even the most sober criticism is troubled at its contents. There can be no question that the Ahasuerus (Ahashverosh) of Esther is the well-known Xerxes of history, the invader of Greece who is described in the pages of Herodotus. But then, it is asked, what room have we for the story of Esther in the life of that monarch? His wife was a cruel and superstitious woman, named Amestris. We cannot identify her with Esther. because she was the daughter of one of the Persian generals, and also because she was married to Xerxes many years before the date of Esther’s appearance on the scene. Two of her sons accompanied the expedition to Greece, which must have preceded the introduction of Esther to the harem. Moreover, it was contrary to law for a Persian sovereign to take a wife except from his own family, or from one of five noble families. Can Amestris be identified with Vashti? If so, it is certain that she must have been restored to favour, because Amestris held the queen’s place in the later years of Xerxes, when the uxorious monarch came more and more under her influence. Esther, it is clear, can only have been a secondary wife in the eyes of the law, whatever position she may have held for a season in the court of the king. The predecessors of Xerxes had several wives; our narrative makes it evident that Ahasuerus followed the Oriental custom of keeping a large harem. To Esther, at best, therefore, must be assigned the place of a favourite member of the seraglio.

Then it is difficult to think that Esther would not have been recognised as a Jewess by Haman, since the nationality of Mordecai, whose relationship to her had not been hidden, was known in the city of Susa. Moreover the appalling massacre of "their enemies" by the Jews, carried on in cold blood, and expressly including "women and children," has been regarded as highly improbable. Finally, the whole story is so well knit together, its successive incidents arrange themselves so perfectly and lead up to the conclusion with such neat precision, that it is not easy to assign it to the normal course of events. We do not expect to meet with this sort of thing outside the realm of fairy tales. Putting all these facts together, we must feel that there is some force in the contention that the book is not strictly historical.

But there is another side to the question. This book is marvellously true to Persian manners. It is redolent of the atmosphere of the court at Susa. Its accuracy in this respect has been traced down to the most minute details. The character of Ahasuerus is drawn to the life; point after point in it may be matched in the Xerxes of Herodotus. The opening sentence of the book shows that it was written some time after the date of the king in whose reign the story is set, because it describes him in language only suited to a later period-"this is Ahasuerus which reigned from India unto Ethiopia," etc. But the writer could not have been far removed from the Persian period. The book bears evidence of having been written in the heart of Persia, by a man who was intimately acquainted with the scenery he described. There seems to be some reason for believing in the substantial accuracy of a narrative that is so true to life in these respects.

The simplest way out of the dilemma is to suppose that the story of Esther stands upon a historical basis of fact, and that it has been worked up into its present literary form by a Jew of later days who was living in Persia, and who was perfectly familiar with the records and traditions of the reign of Xerxes. It is only an unwarrantable a priori theory that can be upset by our acceptance of this conclusion. We have no right to demand that the Bible shall not contain anything but what is strictly historical. The Book of Job has long been accepted as a sublime poem, founded on fact perhaps, but owing its chief value to the divinely inspired thoughts of its author. The Book of Jonah is regarded by many cautious and devout readers as an allegory replete with important lessons concerning a very ugly aspect of Jewish selfishness. These two works are not the less valuable because men are coming to understand that their places in the library of the Hebrew Canon are not among the strict records of history. And the Book of Esther need not be dishonoured when some room is allowed for the play of the creative imagination of its author. In these days of the theological novel we are scarcely in a position to object to what may be thought to partake of the character of a romance, even if it is found in the Bible. No one asks whether our Lord’s parable of the Prodigal Son was a true story of some Galilean family. The Pilgrim’s Progress has its mission, though it is not to be verified by any authentic Annals of Elstow. It is rather pleasing than otherwise to see that the compilers of the Jewish Canon were not prevented by Providence from including a little anticipation of that work of the imagination which has blossomed so abundantly in the highest and best culture of our own day.

A much more serious objection is urged on religious and moral grounds. It is indisputable that the book is not characterised by the pure and lofty spirit that gives its stamp to most of the other contents of the Bible. The absence of the name of God from its pages has been often commented on. The Jews long ago recognised this fact, and they tried to discover the sacred name in acrostic form at one or two places where the initial letters of a group of words were found to spell it. But quite apart from all such fantastic trifling, it has been customary to argue that, though unnamed, the presence of God is felt throughout the story in the wonderful Providence that protects the Jews and frustrates the designs of their arch-enemy Haman. The difficulty, however, is wider and deeper. There is no reference to religion, it is said, even where it is most called for, no reference to prayer in the hour of danger, when prayer should have been the first resource of a devout soul; in fact no indication of devoutness of thought or conduct. Mordecai fasts; we are not told that he prays. The whole narrative is immersed in a secular atmosphere. The religious character of apocryphal additions that were inserted by later hands is a tacit witness to a deficiency felt by pious Jews.

 


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